Sunday, February 17, 2019

Epiphany 6, Year C (2019)


Jeremiah 17: 5–10; Psalm 1; I Corinthians 15: 12–20; Luke 6: 17–26
This is the homily prepared for St. John’s, Huntingdon, Pennsylvania, to be give by Fr. Gene Tucker on Sunday, February 17, 2019.
 “FROM RAW MATERIAL TO FINISHED PRODUCT”
(Homily text: Luke 6: 17–26)
Throughout this past week, I’ve been thinking about rocks and stones, and about raw materials being shaped into a finished product.
My concentration on rocks stems from my wife’s continuing interest in them, for, you see, she is the daughter of a geologist. All her life long, she’s been influenced by her father’s profession. This fascination continues to this day. It’s easy to understand, then, why she will stop and pick up a rock when we go on our parish bike rides along the rail-trail (by way of gentle reminder, the first one of the 2019 season is just a little over two months away, on the last Saturday of April). She’ll put her trophy on the rack on the back of her bike and bring it home so that she can line the flower bed behind the house with it. Another manifestation of her fascination with rocks and stones has to do with our move to Pennsylvania nearly four years ago. She once said, “Pennsylvania is the only state I’ve ever been in where, when the sign says, ‘Fallen Rock”, there will actually be fallen rock.” (Well, that may – or may not – be true, I’m not sure.)
Earlier this week, my wife, who loves old movies, was watching “The Agony and the Ecstasy”, the story of the painting of the Sistine Chapel by Michelangelo in the sixteenth century. Though this movie dates back some years, it does an excellent job of depicting Michelangelo’s early life, when he was known not as a painter, but as a sculptor. The movie took great pains to show how enormous blocks of stone were cut out of the formations they were formed in, and then how they were transported from the quarry to the shop where the carving would begin. At one point in the movie, Michelangelo is looking at a large block of stone, and he says, “This is Moses.” (It was Michelangelo’s conviction that the figure that would rise out of the stone was already present in the stone.)
The process of carving the stone so that a fine statue would emerge was a long and laborious one, one that – without modern tools – took a very long time to accomplish. We, today, are the beneficiaries of that process, for we are able to enjoy the beauty of the finished products of such work. Consider, for example, the statue of David which can be seen in the city of Florence in Italy today. That statue is the work of Michelangelo.
If we think about it, just about every object we make use of in our lives is some sort of a finished product. (I’d guess that there are very few that aren’t.) And each of those objects started out as some raw material or another, or perhaps a collection of raw materials, that were fashioned into its finished state. Given the fact that we don’t see the creative process by which raw materials are shaped and fashioned into a final and useful state, it might be easy to think that such things simply appear on their own. I suspect many of us give little thought to the manufacturing process that takes place.
Jesus’ teaching, known in Luke as the “Sermon on the Plain”, sets before us today what are known as the Beatitudes.
(Luke’s version differs from that which is found in Matthew’s Gospel account, chapters five through seven. The question naturally arises as to why there are differences between the two. One explanation might be that Jesus gave such a teaching on two different occasions…there are differences in the description of the setting, for example, which might lead to such a conclusion:  Matthew tells us that Jesus delivered His teaching on a mountain, while Luke tells us that it took place on a level place, a plain. It is possible, then, that Jesus gave two different teachings on different occasions. But it’s also possible that Luke’s sources – he was not an eye witness to Jesus’ teaching, after all – remembered different aspects of what Jesus said. The actual answer remains a mystery.)
The version of these sayings should be of interest to us, for Luke tells us that Jesus sets out a series of blessings. Then, the Lord sets out a series of woes. There are four of each.
What might Jesus’ purpose be in going about His teaching in this way?
Perhaps the answer is that Jesus wants to transform the raw material of our hearts and minds into a beautiful finished product which reflects God’s nature and God’s desire for each of us.
So the process begins. It begins in much the same way that an artist like Michelangelo would go about chiseling away at a block of stone, removing the excess and the undesirable material in order that the beauty of the statue which is contained therein is revealed.
Jesus begins, then, with the ultimate goal in mind: “Blessed are you who are poor, for yours is the kingdom of God. Blessed are you who are hungry now, for you shall be satisfied. Blessed are you who weep now, for you shall laugh. Blessed are you when people hate you and which they exclude you and revile you and spurn your name as evil.”[1]
Along the way, the process of transformation won’t be easy. In fact, it is unpleasant, as unpleasant as if a block of stone had nerves and could feel the digging of the chisel, making its way into the stone with each hammer blow: “But woe to you who are rich, for you have received your consolation. Woe to you who are full now, for you shall be hungry. Woe to you who laugh now, for you shall mourn and weep. Woe to you, when all people speak well of you, for so their fathers did to the false prophets.”
Our Lord is telling us that we’d better allow the refiner of souls to reshape us into God’s image, an image that will be different from that which the world puts before us as being desirable. It is true that God’s ways are different, vastly different, from the ways of the world.
Transform us, then, Lord. Take the raw material of our hearts, minds and souls, and bring forth from them a beautiful and finished product which reflects your glory.
AMEN.



[1]   English Standard Version translation